“Another winner! No Excuses 50mm is a fantastic worshop! It'll teach you to see trhough your Nifty Fifty (although, the teachings in this workshop are applicable.

This professionally produced product comprises over 4 hours of video and includes a 112 page workbook. It is the successful culmination of a two year project to document for the first time, the legendary teachings of Barry Harris.

The following areas are highlighted, each presented in a ‘clinic’ setting: The ABC’s of the jazz vocabulary The opening section features an in-depth examination of scales and deals with the topic of both what and how to practice. Application of the above to key song forms Presented here are methods of turning scales into unlimited sources of improvisational ideas- applied to the blues, rhythm changes, Cherokee, Indiana and How High The Moon.

Movable Chords for the piano and guitar Barry’s unique approach to chord voicing and movement is outlined here demonstrated on several standards. Focus on the Rhythm Section Here, accompaniment is addressed, along with the function and interaction of each instrument in the rhythm section.

Vocalizing Key points for the vocalist including warm-ups, phrasing, breathing, improvising and presentation are demonstrated and applied to a beautiful ballad. “I guess you could say Barry Harris is one of the very last of the bebop purists that we have on piano. He is a living and brilliant extension of Bud Powell.” Walter Bishop Jr. Canon Utilities Zoombrowser Ex Download Free. “I’ve always thought that if Charlie Parker had played piano, he would sound exactly like Barry Harris. Or is it the other way around?

Musician Testimonials “Barry’s Workshop Video is a valuable educational tool for anyone interested in the inner workings of modern jazz.” Kenny Burrell “A fine workshop for striving pianists and serious students who want to play modern harmonies in the style of Charlie Parker.” Tommy Flanagan “This package offers information that hasn’t been given before. It is a very practical and organized way of looking at chord movement applied to the areas of accompaniment, arranging and composition.