Sep 17, 2015. Download this collection of high-quality free sound effects to give your film and video trailers. We've curated this collection of free SFX to give your trailers MAXIMUM impact! We've handpicked 20 hallmark 'action trailer' sound effects for this free pack: sweeps, risers, slams, and intense atmospheres. Sign up for free! Be the first to know when sounds are online! Receive our latest tips and tricks! Keep up to date with sound effect news! View our Privacy Policy. Check out the creator of the lightsaber sound effects for the Star Wars movies. (the guy is a genius). From broken bulbs to melodic reverb tails, the library features. Trailer orchestral film suspense dramatic bang drama cinematic Bang Whoosh decreasing movie cinema industrial heavy AVA_MUSIC_GROUP July 8th, 2017 1780 downloads 4 comments Similar Pack Creative Commons.

The author describes Drones as a sound library that’s not necessarily gritty or industrial, but rather oriented towards atmospheric and ambient textures. It works beautifully in tandem with some of our previous releases such as the library by Matt Bowdler and by Johan Ekelove. About The Author Red Fog is a drone/ambient artist whose music focuses mostly on drones, atmospheric soundscapes and dark ambiances. No beats, no rhythm, just pure drones and textures. You can follow Red Fog’s work on his profile, as well as his page. Check out the interview below for more info about Red Fog’s sound design workflow, his favorite sound design tools and some useful tips, then scroll all the way down the page to download your free copy of Drones.

The Interview 99Sounds: Hi Red Fog, thanks so much for releasing Drones on 99Sounds! Can you tell us a bit more about the tools you’ve used to create these sounds? Red Fog: Well, thank you for having me on board for this sample pack, I really had fun designing the sounds. All the sounds in this library, like all of my music as a matter of fact, have been created with digital tools only.

No analog synthesizers nor samplers, no hardware effects, purely digital tools on a computer. All the sounds were created using granular synthesis, spectral re-synthesis and a wide range of exotic effects like spectral / FFT processing, stretching, convolution, cross-synthesis, morphing and granulation. I did this with a variety of tools, but I mostly used MaxMSP, MetaSynth and Ableton Live as a DAW to polish the sounds. Game Maker Spaceship Engines. A good friend of mine also has the almighty Kyma Paca System that I can use from time to time in his studio, so some of the sounds were created with that as well. The sources of the sounds are often coming from field recordings of all sorts (I use a Roland Edirol recorder) and then deeply and intensely transformed, manipulated and mutated beyond total recognition. This is what I’m really interested into, transforming a sound into something totally different and giving it a brand new identity.