Seventeen days after she goes missing, thirty-eight year old Emma Baker, a Medford, Oregon math teacher, is found dead two hundred miles away in Salem in St. Baldwin's Psychiatric Hospital, an abandoned institution where the criminally insane were housed. She was bound to a hospital bed, dressed in Renaissance type clothing, and her face was powdered white. The autopsy reveals that she died of nicotine poisoning, the substance which was absorbed through her skin from her dress being soaked in a nicotine-based liquid. The autopsy also shows that her legs were submerged in water for a long period of time prior to death. At the site, Emily finds a list of women's names, including 'Emma', next to what numbers which Reid determines have some Satanic connection. When a second victim is discovered - one of the names on the list - the body site leads the team to believing there is a connection between the Renaissance costuming and a nearby theater company performing Shakespeare.

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They have to. Matthew Gray Gubler has always been one of my favourite 'Criminal Minds' directors. His episodes are some of the most visually atmospheric and stunning in 'Criminal Minds' history and at least three of them are among the creepiest in the show too. 'Heathridge Manor' is one of his better episodes in general, and one of the better, most atmospheric and most memorable episodes of the seventh season.

It is not as good as the eerie and also poignant 'Mosley Lane', one of the top 5 best episodes of Season 5, and especially the terrifying 'Mr Scratch', for me the best episode of Season 10 and one of the show's best in recent years. It is not perfect. The incestuous overtones do give off an uncomfortably weird vibe and felt very misplaced against the rest of the episode's content, unnecessary and like it didn't belong. Do realise that it was to add to already the unsub's already unsettling character, but he was that much already without it.