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One of the most ridiculous spectacles of bad storytelling I have ever seen in my entire life. 'Gone Girl' gets its title I think, from the fact that she was supposed to be done away with (murdered and disposed of) but is really 'gone' psychologically—she is a pure psychopath. The movie tries to tell you that she is highly intelligent, and meticulously plans to fake her own murder and frame her husband for it. Here's the pathetic execution of her plan: 1. He leaves the house one morning, and she springs into action. She breaks the glass coffee table, pours about a half quart of her own blood in one puddle, in front of the kitchen sink.

That much blood from a violent attack would be all over the room. She flees, leaving the front door open. A nosy neighbor notices the door ajar and calls the husband (somehow the neighbor knows exactly where he is.) But no one saw the wife leave.

The husband comes home. He has not a scratch on him. He is totally co-operative with the police. They eventually find her diary In a wood stove at the husbands father's house. The wood stove door is ajar and the diary is only partially burned; it really makes you wonder how that played out—that the husband put the diary in there to burn but just left it singed, all that work, cleaning up the blood at home, but not to burn the book, as if he needed to make a special trip to his dad's house to dispose of a stupid book.

And the only thing incriminating that she wrote was on one page which he could've simply torn out. When the wife runs away, she only changes her appearance slightly and then, instead of secluding herself, she makes friends with some low-lifes, with whom she sits and watches her story unfold on TV. She murders the Neil Harris character in an attempt to switch the blame to him. That would then imply he was the one that drained so much blood from her back at her home, he cleaned it up and he put her diary in the wood stove (?!) His car wasn't seen at her house.

He then kept her a prisoner, starved and raped her.Yet she found the opportunity and strength to kill him, but didn't call the police from his house to come rescue her. Rather she jumps in his car and drives all the way home. Upon returning home she has no wounds consistent with the bloodletting at her original house or at the hands of her alleged kidnapper. There is no visit to or investigation of the alleged kidnapping crime scene—house on the lake. The hospital sends her home in a nurses uniform, underneath which she is still caked in blood. This movie is just about the lamest piece of S**** I have ever seen. If this had been written and played as a straight-out dark comedy - and if it had been at least half an hour shorter - perhaps it would have passed as a run of the mill movie.

But since it has been presented as a serious mystery, it has committed the cardinal sin of filmmaking - that of disrespecting the intelligence and/or perspicacity of the audience. For us, the film represents a significant achievement in that it contains more and larger plot holes than any other movie we have ever seen - and we've seen many! This was even worse than Babel! That said - and a warning that reading further will take you deep into spoiler territory - the following is by no means a comprehensive list of the major holes in the plot. So ladies and gentlemen, start your engines and drive your semis straight through an impressive array of plot stupidity: 1. Amy buys a car listed on Craigslist for cash so there's no record of the purchase. How about title and license?

Where does she keep the car until she needs it? How does she get to it when she needs it without being seen? Career Switcher Program Va Gmu Library.

Amy buys lots of tech toys and crams her sister-in-law's shed with them. How does she get into and out of the shed without her sister-in-law (who doesn't like her) noticing? The shed is where her husband sometimes has liaisons with another woman. They don't notice the accumulating gadgets? The gadgets are bought online. Who is signing for them?